Offering Colleges
Bachelor of Fine Arts (BFA) degree is designed to prepare students for careers in their preferred creative discipline or for succeeding in master programs(MFA).
BFA seeks to polish the creative passion of young students and groom their talents academically. Practically a virgin field, fine arts presents students and professionals alike with many opportunities. The program aims to be a guiding post for passionate artists to cash in on those opportunities.
Salient Features
Entrance Form Rs 1000/-
1st-year admission and tuition fee approx Rs. 20000/- per year.
2nd-year admission and tuition fee approx Rs. 20000/- per year.
3rd-year admission and tuition fee approx Rs. 20000/- per year.
4th-year admission and tuition fee approx Rs. 20000/- per year.
- Books, stationery, and other materials are excluded from the above fees.
- Fees are subject to change.
- Scholarships are available to regular, talented, and needy students according to rules.
Eligibility
- All the candidates must have passed +2. Students from every discipline are accepted.
All the candidates must appear for the entrance test and clear the test for admission.
Admission Criteria
Documents required for registration:
- 1. Copy of SEE Mark-sheet and Character Certificate
- 2. Original Migration Certificate of +2
- 3. Copy of +2 Mark-sheet and Character Certificate
- 4. PP size photo 2 Copy
- 5. Rs 1000/- for the Entrance form and approx. Rs 20000/- per year for admission
When can I enroll for BFA course?
Admissions usually start for BFA program around February each year. The entrance test is usually scheduled for March last week. You will be provided with detail information when you submit your application form.
Do I need to have prior knowledge of Art before I enter for this course?
Not necessarily. Since the course is designed for the very beginners, you can enroll without any prior knowledge of Art. However your previous knowledge could be beneficial if you have any.
What do I need to prepare for the entrance test?
Our entrance test is designed in such a manner that it will project your ability and inquisitiveness for the course.
Job Prospects
Possible Career Paths after Bachelor of Fine Arts (BFA) Graphic Communication
Innovator, Graphic Artist, Web Designer, Typographer, Illustrator, Photographer, Animator, Art Director, Entrepreneur, Interdisciplinary Artist, Storyboard Artist, Videographer, Film-maker, Animator, Product Designer, Researcher, Web Designer, Interior Designer, Game Designer, etc.
Possible Career Paths after Bachelor of Fine Arts (BFA) Painting and Bachelor of Fine Arts (BFA) Traditional Nepali Painting
Artist, Art Educator, Gallery Manager, Painter, Illustrator, Innovator, Craft Artist, Designer, Researcher, Animator, Art Director, Entrepreneur, Interdisciplinary Artist, Art Writer, etc.
Possible Career Paths after Bachelor of Fine Arts (BFA) Sculpture and Bachelor of Fine Arts (BFA) Traditional Nepali sculpture
Artist, Art Educator, Exhibition Designer, Industrial Designer, Museum Technicians and Conservators, Curator, Craft Artist, etc.
Possible Career Paths after Bachelor of Fine Arts (BFA) Music (Vocal/Instrument/Tabla/Dance)
Singer, Musician, Music Producer, Music Teacher, Sound Designer, Sound Engineer, Sound Technician, Dancer, Performer, Choreographer, Dance Teacher, Talent Agent, Event Manager, Arts Administrator, Music Therapist, Dance Therapist, Actor, Community Arts Worker, Personal Trainer, etc.
Other options after specialization
Art Historian, Curator, Art Administrator, Art Activist, Museum Manager, Product Designer, Researcher, Tattoo Artist, Art Critic, Interior Designer, Conservator, Restorer, Heritage Expert, Museologist, Radio Producer, Theatre Stage Manager, etc
Curricular Structure
Program Format:
- Foundation: BFA First Year
- Specialization: BFA Second, Third, and Fourth Years
Students enrolled in BFA in Painting, BFA in Sculpture, and BFA in Graphic Communication, are offered the same course in the first year and specialization starts only in the second year. Similarly, students enrolled in BFA Classical Vocal/Instrument (Music), BFA in Classical Tabala (Music), and BFA in Classical Dance (Music), are offered the same basic course in the first Year and Specialization starts in the Second Year.
Bachelor of Fine Arts (BFA) in Painting
During the Four Years of Studies, a student is expected to learn beginning with the basics of Drawing from simple geometric objects to more complex- non-living objects, mannequins, life studies from head to full life studies. As the student progresses to the senior class, he or she is expected to learn in addition to a new method of art known as Printmaking, practical exposures in more mature mediums like watercolors, oil colors, and acrylics. Also, the student will have learned and made a good understanding of the full human figure in application to painting it.
And finally, he or she is able to express independently know as Creative Composition- with the help of skills and knowledge learned from earlier classes. This is in addition to the theoretical papers in Technical Theory, History of Arts, and Aesthetics- World and Nepal.
For those who choose to study in Traditional Painting, beginning in the First Year, the student will be imparted with the basics of drawing in relation to the traditional paintings- followed by preliminary knowledge of Hindu and Buddhist deities. Different attributes like hand gestures (Udras), body postures, Vehicles (Bahans), complexions (Varna), etc, and the complex details on the elements of embellishments like the depiction of halo, aureoles, and the background materials are thought and introduced. As a senior student, he or she is expected to create and paint a typical ‘Paubha’- with multiple deities.
BFA Painting First Year
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Compulsory paper |
English |
I |
Ptg.C1 |
100 |
2 |
Major Practical |
Drawing |
I |
Ptg.311 |
100 |
3 |
Major Practical |
Painting |
II |
Ptg.312 |
100 |
4 |
Major Practical |
Sculpture |
III |
sculp.313 |
100 |
5 |
Major Practical |
Graphic Communication |
IV |
Graph.314 |
100 |
6 |
Major Theory |
History of Arts and Aesthetics |
V |
Ptg.315 |
100 |
Total |
600 |
Second Year |
Painting |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Compulsory paper |
English |
II |
Ptg.c2 |
100 |
2 |
Major Practical |
Drawing |
V |
Ptg.315 |
50 |
3 |
Major Practical |
Head Study |
VI |
Ptg.316 |
100 |
4 |
Major Practical |
Composition |
VII |
Ptg.317 |
100 |
5 |
Major Practical |
Printmaking |
VIII |
Ptg.318 |
100 |
6 |
Major Theory |
Technical Theory |
IX |
Ptg.319 |
50 |
7 |
Major Theory |
History of Arts & Aesthetics |
X |
Ptg.320 |
100 |
Total |
600 |
Third Year |
Painting |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Major Practical |
Drawing |
XI |
Ptg.321 |
50 |
2 |
Major Practical |
Life Study |
XII |
Ptg.322 |
100 |
3 |
Major Practical |
Composition |
XIII |
Ptg.323 |
100 |
4 |
Major Practical |
Print Making |
XIV |
Ptg.324 |
100 |
5 |
Major Theory |
Technical Theory |
XV |
Ptg.325 |
50 |
6 |
Major Theory |
History of Art and Aesthetic |
XVI |
Ptg.326 |
100 |
Total |
500 |
Fourth Year |
Painting |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Major Practical |
Drawing |
XVII |
Ptg.327 |
100 |
2 |
Major Practical |
Life Study |
XVIII |
Ptg.328 |
100 |
3 |
Major Practical |
Composition |
XIX |
Ptg.329 |
100 |
4 |
Major Practical |
Print Making |
XX |
Ptg.330 |
100 |
5 |
Major Practical |
New Media |
XXI |
Ptg.331 |
100 |
6 |
Major Theory |
History of Art & Aesthetic |
XXII |
Ptg.332 |
100 |
Total |
600 |
Bachelor of Fine Arts (BFA) Graphic Communication
The course of BFA in Graphic Communications is an Art applied to the communication needs of growing industrial and commercial promotional activities. The course begins with subjects like Typography, practical lessons to control space in the design for print like Press Advertisements, create Package Designs, etc. Gradually, he or she will have given detailed lessons on Image Development like Illustrations or Photography, create Corporate Identity Meanwhile, the student will also be familiar with digital tools to create camera-ready designs for print.
In the final year, the student is expected to be fully versatile with various aspects of Design, Image development either by hand-drawn illustrations or photography – its reproduction process, and so on. And finally, the student is expected to act as an independent designer- ready to cope with any design needs and its solutions.
BFA Graphic Communication First Year
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Compulsory paper |
English |
I |
Graph.C1 |
100 |
2 |
Major Practical |
Drawing |
I |
Graph.311 |
100 |
3 |
Major Practical |
Painting |
II |
Ptg.312 |
100 |
4 |
Major Practical |
Sculpture |
III |
sculp.313 |
100 |
5 |
Major Practical |
Graphic Communication |
IV |
Graph.314 |
100 |
6 |
Major Theory |
History of Arts and Aesthetics |
V |
Graph.315 |
100 |
Total |
600 |
Second Year |
Graphic Communication |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Compulsory paper |
English |
II |
Graph.C.2 |
100 |
2 |
Major Practical |
Drawing |
V |
Graph.315 |
50 |
3 |
Major Practical |
Illustration |
VI |
Graph.316 |
100 |
4 |
Major Practical |
Fundamentals of Design |
VII |
Graph.317 |
100 |
5 |
Major Practical |
Introduction to computer tools and photography |
VIII |
Graph.318 |
100 |
6 |
Major Theory |
Fundamentals of Graphic communication |
IX |
Graph.319 |
50 |
7 |
Major Theory |
History of arts and Aesthetics |
X |
Graph.320 |
100 |
Total |
600 |
Third Year |
Graphic Communication |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Major Practical |
Package Design |
XI |
Graph.321 |
50 |
2 |
Major Practical |
Image Development: Drawing and Illustrations |
XII |
Graph.322 |
100 |
3 |
Major Practical |
Corporate Identity and Press Advertisement |
XIII |
Graph.323 |
100 |
4 |
Major Practical |
Digiral Tools and Photography |
XIV |
Graph.324 |
100 |
5 |
Major Theory |
Technical Theory |
XV |
Graph.325 |
50 |
6 |
Major Theory |
History of Art and Aesthetic |
XVI |
Graph.326 |
100 |
Total |
500 |
Fourth Year |
Graphic Communications |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Caricature Drawing and Digital Tools |
XVII |
Graph.327 |
100 |
|
2 |
Image Development |
XVIII |
Graph.328 |
100 |
|
3 |
Integrated Campaign |
XIX |
Graph.329 |
100 |
|
4 |
Elective Subject: Copy Writing, or Elementary Animation, or Elementary Interior Design |
XX |
Graph.330 |
100 |
|
5 |
Project work/ Paper writing |
XXI |
Graph.331 |
100 |
|
6 |
History of Art and Aesthetics |
XXII |
Graph.332 |
100 |
|
Total |
600 |
Bachelor of Fine Arts (BFA) in Sculpture
The course for BFA (Sculpture) begins with preliminary aspects of clay modelling of simple human parts like ear, nose, and eyes: and is led to the studies of the human head. As the student progress he os she is exposed to another medium like wood-carving and stone carving of the human head and full life studies- along with the knowledge of composition. Finally, a student will have known the sound knowledge of the human full form and composition. Simultaneously, techniques of Metal Casting are also given to the students.
For the students of the Traditional Sculpture, in addition to the basics of drawings, the lessons on the relief and round compositions- based on the traditional sculptures are provided. Other elements of traditional sculpture-like relief and round carvings on motifs and patterns in stone are also gradually introduced. In the following years, the student will have learned to sculptor create independently – full figures of deities- as according to the traditional ways
BFA First year Sculpture
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Compulsory paper |
English |
I |
Sculp.C1 |
100 |
2 |
Major Practical |
Drawing |
I |
Sculp.311 |
100 |
3 |
Major Practical |
Painting |
II |
Ptg.312 |
100 |
4 |
Major Practical |
Sculpture |
III |
sculp.313 |
100 |
5 |
Major Practical |
Graphic Communication |
IV |
Graph.314 |
100 |
6 |
Major Theory |
History of Arts and Aesthetics |
V |
Sculp.315 |
100 |
Total |
600 |
Second Year |
Sculpture |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Compulsory paper |
English |
II |
Sculp.C.2 |
100 |
2 |
Major Practical |
Drawing |
V |
Sculp.315 |
50 |
3 |
Major Practical |
Head Study |
VI |
Sculp.316 |
100 |
4 |
Major Practical |
Composition |
VII |
Sculp.317 |
100 |
5 |
Major Practical |
Wood Carving |
VIII |
Sculp.318 |
100 |
6 |
Major Theory |
Technical Theory |
IX |
Sculp.319 |
50 |
7 |
Major Theory |
History of Arts and Aesthetics |
X |
Sculp.320 |
100 |
Total |
600 |
Third Year |
Sculpture |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Major Practical |
Drawing |
XI |
Sculp.321 |
50 |
2 |
Major Practical |
Life Study |
XII |
Sculp.322 |
100 |
3 |
Major Practical |
Composition |
XIII |
Sculp.323 |
100 |
4 |
Major Practical |
Stone Carving |
XIV |
Sculp.324 |
100 |
5 |
Theory |
Technical Theory |
XV |
Sculp.325 |
50 |
6 |
Theory |
History of Art & Aesthetic |
XVI |
Sculp.326 |
100 |
Total |
500 |
Fourth Year |
Sculpture |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Major Practical |
Drawing |
XVII |
Sculp.327 |
100 |
2 |
Major Practical |
Life Study |
XVIII |
Sculp.328 |
100 |
3 |
Major Practical |
Composition |
XIX |
Sculp.329 |
100 |
4 |
Major Practical |
Metal Casting |
XX |
Sculp.330 |
100 |
5 |
Elective (activity base) |
New Media |
XXI |
Sculp.331 |
100 |
6 |
Major Theory |
History of Art & Aesthetic |
XXII |
Sculp.332 |
100 |
Total |
600 |
Fourth Year |
Traditional Nepal Sculpture |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full marks |
1 |
Major Practical |
Drawing |
XVII |
Tn.Sculp.327 |
100 |
2 |
Major Practical |
Full Figure Study |
XVIII |
Tn.Sculp.328 |
100 |
3 |
Major Practical |
Composition |
XIX |
Tn.Sculp.329 |
100 |
4 |
Major Practical |
Metal Casting |
XX |
Tn.Sculp.330 |
100 |
5 |
Elective (activity base) |
New Media |
XXI |
Tn.Sculp.331 |
100 |
6 |
Major Theory |
History of Art & Aesthetic |
XXII |
Tn.Sculp.332 |
100 |
Total |
600 |
Bachelor of Fine Arts (BFA) in Dance (Music)
The Course for BFA in Classical Dance has various components- based on the earlier classical practices. It has begun with preliminary Music practices in Classical and Folk Dances. It is accompanied by the sound knowledge and skills in the Classical Dances like Kathak or Bharatnatyam, Folk and Charya Dances are gradually introduced and given it in intense practices.
First Year |
Music |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Theory |
English |
I |
Mus.C.1 |
100 |
2 |
Practical |
Classical Vocal / Instrument |
I |
Mus.311 |
100 |
3 |
Practical |
Classical Tabala |
II |
Mus.312 |
100 |
4 |
Practical |
Nepali Traditional and Folk Music |
III |
Mus.313 |
50 |
5 |
Theory |
Nepali Traditional and Folk Music |
IV |
Mus.314 |
50 |
6 |
Practical |
Classical Dance/Instrument/Optional Vocal |
V |
Mus.315 |
100 |
7 |
Theory |
Fundamental Theory of Music |
VI |
Mus.316 |
100 |
Total |
600 |
Second Year |
Classical Dance |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Major Compulsory |
English |
II |
Dan.C2 |
100 |
2 |
Major Practical |
Classical Dance Practical (Kathak or Bharatnatyam) |
VII |
Dan.317 |
100 |
3 |
Theory |
Applied Theory |
VIII |
Dan.318 |
50 |
4 |
Charya Dance Practical |
IX |
Dan.319 |
100 |
|
5 |
Folk Dance Practical |
X |
Dan.320 |
50 |
|
6 |
Theory |
General Theory |
XI |
Tab/Voc/Inst.321 |
100 |
7 |
Vocal/Instrument/Tabla |
XII |
Dan.322 |
100 |
|
8 |
Total |
600 |
Third Year |
Classical Dance |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1. |
Major Practical |
Classical Dance |
XIV |
Dan.324 |
100 |
2. |
Major Practical |
Voc/Inst.Accompaniment |
XV |
Dan.325 |
50 |
3. |
Theory |
Applied Theory |
XVI |
Dan.326 |
50 |
4. |
Major Practical |
Optional Vocal/ Instrument |
XVII |
Dan.327 |
100 |
5. |
Major Practical |
Folk Rhythmic Instrument |
XVIII |
Dan.328 |
50 |
6. |
Major Theory |
Folk Rhythmic Instrument |
XIX |
Dan.329 |
50 |
7. |
Major Theory |
General Theory |
XX |
Dan.330 |
100 |
8. |
Total |
500 |
Fourth Year |
Classical Dance |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1. |
Major Practical |
Classical Dance (Kathak or Bharatnatyam) |
XIX |
Dan.329 |
100 |
2. |
Applied Theory |
XX |
Dan.330 |
50 |
|
3. |
Major Practical |
Charya Dance |
XXI |
Dan.331 |
100 |
4. |
Major Practical |
Folk Dance |
XXII |
Dan.332 |
100 |
5. |
Stage Performance |
XXIII |
Dan.333 |
100 |
|
6. |
|
Choreograhy |
XXIV |
Dan.334 |
50 |
7. |
Major Theory |
General Theory |
XXV |
Dan.335 |
100 |
8. |
Total |
600 |
BFA in Classical Tabala (Music)
The Course for BFA in Classical Music Tabala is an interesting mix- beginning with the basics like Classical Tabala to Folk Rhythmic practices. In the later years, the students are also expected to learn more advanced skills and knowledge in Stage Performance and Sound Technology.
First Year |
Music |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Theory |
English |
I |
Mus.C.1 |
100 |
2 |
Practical |
Classical Vocal / Instrument |
I |
Mus.311 |
100 |
3 |
Practical |
Classical Tabala |
II |
Mus.312 |
100 |
4 |
Practical |
Nepali Traditional and Folk Music |
III |
Mus.313 |
50 |
5 |
Theory |
Nepali Traditional and Folk Music |
IV |
Mus.314 |
50 |
6 |
Practical |
Classical Dance/Instrument/Optional Vocal |
V |
Mus.315 |
100 |
7 |
Theory |
Fundamental Theory of Music |
VI |
Mus.316 |
100 |
Total |
600 |
Second Year |
Tabala |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1. |
Theory |
English |
II |
Tab. C2 |
100 |
2. |
Practical |
Classical Tabla Practical |
VII |
Tab.317 |
100 |
3. |
Voc/Inst. Accompaniment |
VIII |
Tab.318 |
50 |
|
4. |
Theory |
Applied Theory |
IX |
Tab.319 |
50 |
5. |
Practical |
Folk Rhythmic Instrument Practical |
X |
Tab.320 |
50 |
6. |
Theory |
Folk Rhythmic Instrument Theory |
XI |
Voc/Inst.321 |
50 |
7. |
Practical |
Vocal/Instrument Practical |
XII |
Tab.322 |
100 |
8. |
Theory |
General Theory |
XIII |
Tab.323 |
100 |
Total |
600 |
Third Year |
Tabla |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1. |
Major Practical |
Classical Tabla Practical |
XIV |
Tab.324 |
100 |
2. |
Major Practical |
Voc/Inst.Accompaniment |
XV |
Tab.325 |
50 |
3. |
Theory |
Applied Theory |
XVI |
Tab.326 |
50 |
4. |
Major Practical |
Optional Vocal/Instrument Practical |
XVII |
Tab.voc/inst.327 |
100 |
5. |
Major Practical |
Folk Rhythmic Instrument Practical |
XVIII |
Tab.328 |
50 |
6. |
Major Theory |
Folk Rhythmic Instrument Theory |
XIX |
Tab.329 |
50 |
7. |
Major Theory |
General Theory |
XX |
Tab.330 |
100 |
Total |
500 |
Fourth Year |
Tabala |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1. |
Major Practical |
Classical Tabla |
XXI |
Tab.331 |
100 |
2. |
Audio Record CD Presentation |
XXII |
Tab.332 |
50 |
|
3. |
Theory |
Applied Theory |
XXIII |
Tab.333 |
50 |
4. |
Practical |
Folk Music Practical |
XXIV |
Tab.334 |
50 |
5. |
Theory |
Folk Music Theory |
XXV |
Tab.335 |
50 |
6. |
Theory |
General Therapy |
XXVI |
Tab.336 |
100 |
7. |
Performance |
Stage Performance |
XXVII |
Tab.337 |
100 |
8. |
Theory |
Sound Technology Theory |
XXVIII |
Tab.338 |
50 |
9. |
Practical |
Sound Technology Practical |
XXIX |
Tab.339 |
50 |
Total |
600 |
BFA in Vocal/Instrumental (Music)
The course BFA in Classical Vocal/Instrumental (Music) begins with the fundamentals of Classical and Folk Music. In the following years, the students are well familiarized with the practicalities of Stage Performance and Music Technology.
First Year |
Music |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1 |
Theory |
English |
I |
Mus.C.1 |
100 |
2 |
Practical |
Classical Vocal / Instrument |
I |
Mus.311 |
100 |
3 |
Practical |
Classical Tabala |
II |
Mus.312 |
100 |
4 |
Practical |
Nepali Traditional and Folk Music |
III |
Mus.313 |
50 |
5 |
Theory |
Nepali Traditional and Folk Music |
IV |
Mus.314 |
50 |
6 |
Practical |
Classical Dance/Instrument/Optional Vocal |
V |
Mus.315 |
100 |
7 |
Theory |
Fundamental Theory of Music |
VI |
Mus.316 |
100 |
Total |
600 |
Second Year |
Vocal/Instrumental |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1. |
Compulsory |
English |
II |
Mus.C2 |
100 |
2. |
Practical |
Classical Music – I |
VII |
Mus.317 |
100 |
3. |
Practical |
Classical Music – II |
VIII |
Mus.318 |
50 |
4. |
Theory |
Applied Theory |
IX |
Mus.319 |
50 |
5. |
Practical |
Folk Music |
X |
Mus.320 |
50 |
6. |
Theory |
Folk Music |
XI |
Mus.321 |
50 |
7. |
Practical |
Optional Tabla /Vocal |
XII |
Mus.322 |
100 |
8. |
Theory |
General Theory |
XIII |
Mus.323 |
100 |
Total |
600 |
Third Year |
Vocal/Instrumental |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1. |
Major Practical |
Classical Vocal Music |
XIV |
Mus.324 |
100 |
2. |
Major Practical |
Voc./Inst. Accompaniment |
XV |
Mus.325 |
50 |
3. |
Theory |
Applied Theory |
XVI |
Mus.326 |
50 |
4. |
Major Practical |
Optional Vocal /Instrument |
XVII |
Mus.327 |
100 |
5. |
Major Practical |
Folk Rhythmic Instrument |
XVIII |
Mus.328 |
50 |
6. |
Major Theory |
Folk Rhythmic Instrument |
XIX |
Mus.329 |
50 |
7. |
Major Theory |
General Theory |
XX |
Mus.330 |
100 |
Total |
500 |
Fourth Year |
Vocal/Instrumental |
||||
S.N. |
Nature |
Subject |
Paper |
Code |
Full Marks |
1. |
Major Practical |
Classical Music-1 |
XXI |
Mus.331 |
100 |
2. |
Non Details |
Classical Music-2 |
XXII |
Mus.332 |
50 |
3. |
Major Theory |
Applied Theory |
XXIII |
Mus.333 |
50 |
4. |
Major Practical |
Folk Music |
XXIV |
Mus.334 |
50 |
5. |
Major Theory |
Folk Music |
XXV |
Mus.335 |
50 |
6. |
Major Theory |
General Theory |
XXVI |
Mus.336 |
100 |
7. |
Stage Performance |
XXVII |
Mus.337 |
100 |
|
8. |
Major Theory |
Music Technology |
XXVIII |
Mus.338 |
50 |
9. |
Major Practical |
Music Technology |
XXIX |
Mus.339 |
50 |
Total |
600 |